The decorative material of the Stone Garden Decor is milky white. The transformed stone sculpture retain the original taste, texture and plastic marks of the clay sculptures, fully expressing the author's shaping methods and styling style. However, the color of this material is not enough to reflect the final aspect of the work. To achieve the best effect, manufacturers do some color treatment on the surface of Stone Garden Decor materials, which will increase the depth of the work and strengthen the texture effect of the surface. It will also have an impact on the mood of the stone carving works.
When designing Stone Garden Decor, stone carving mainly think from elements such as shape (points, lines, surfaces), function, space, material, color, and visual performance. Analyze the different environments in which stone sculpture are located, and summarize them from the material, scale, color and expression techniques. The spatial shape of urban stone sculpture is generally divided into two categories: regular space and irregular space. The geometric and regular spatial shapes of urban stone sculpture have a standardized and rational sense of order, giving people the impression of solemnity and balance, and are suitable for expressing urban stone sculpture with commemorative or major themes.
Stone Garden Decor belongs to environmental art. Unlike ordinary stone sculpture that only pursue the artistry and integrity of the work itself, urban stone sculpture must take the urban environment as the background and match the urban space environment of the stone sculpture layout in terms of time, space, cultural connotation, and artistic form. Form an interconnected whole and system. The urban environment consists of the natural ecological environment and the artificial environment. Urban stone sculpture, with their scale, color, material, shape, and the abstraction and concreteness of the language they express, faithfully record the evolution of the human ecological environment and the rise and fall of the artificial environment, and their existence. Life largely depends on its recognition by the urban spatial environment. Therefore, the comprehensive deconstruction of the urban spatial environment has become the basic premise of modern stone sculpture design.
