As the saying goes: "When you get close to vermilion, you get red; when you get close to ink, you get black." This shows that people are easily influenced by the space environment. As a three-dimensional plastic art, the Stone Garden Statues expresses the spirit of art with its body. Excellent Stone Garden Statues can spread the artistic appeal to the occupied space environment through the ups and downs of the shape, and can form a powerful aura. We tentatively call this kind of aura the spiritual field of the Stone Garden Statues. The information it conveys not only brings aesthetic experience to the audience, but also resonates deep in the soul and produces educational significance. This highlights the importance of the creation of Stone Garden Statues, and provides a direction for further research on the creation of Stone Garden Statues, that is, how Stone Garden Statues can communicate more effectively with the audience through the grasp of spatial emotions to obtain more spiritual experience .
As we all know, if a work of art leaves the appreciation of the audience, it loses its meaning of existence. The same is true for a Stone Garden Statues. The spirit it conveys directly affects the people who communicate with it through the spiritual aura. Upward fighting force, people unknowingly carry out spiritual baptism while admiring the statues in the stone garden. If you pay attention to the city's street gardens, you will find some statues of animal stone gardens. A few goats, a group of monkeys, or a big cat. When these Stone Garden Statues suddenly appeared in the space, something miraculous happened. The masses were more willing to stay in this environment, and even played around the Stone Garden Statues. The space suddenly became more active, which shows that the Stone Garden Statues can fully mobilize and improve the mood of urban public spaces. Among the religious Stone Garden Statues throughout the ages, the shape of the Stone Garden Statues has more obvious control over the spirit of space. Whether it is the art of Stone Garden Statues inside and outside Christian churches in the Middle Ages, or various statues in oriental Buddhist grottoes and temples, the audience will inevitably become devout when facing these religious Stone Garden Statues. Why is there such a change? This is because, through the presentation of the statues in the stone garden, a powerful aura is formed, and the strong religious emotions force the hearts of the audience to communicate with each other. It can be seen from this that the grasp of spatial emotions has become the key to the spiritual space of Stone Garden Statues.
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stone sculpture, how to use their professional ability to ensure the effective expression of the spatial emotion of Stone Garden Statues? The spatial emotion is invisible and intangible, it is only an environmental atmosphere, so it must be realized with the help of tangible carriers. This carrier is the shape of the Stone Garden Statues, using tangible shapes to realize the grasp of the invisible spiritual space. Just like the dialectical relationship between existence and non-existence pointed out in Laozi's "Tao Te Ching", for a Stone Garden Statues, the shape is the means, and the invisible spiritual space established by it is its purpose. The author believes that stone garden sculptors need to fully consider the characteristics of people's aesthetic cognition when considering the shape of Stone Garden Statues. Visual elements are expressed in the way of overall perception in human sensory reflection. That is to say, in human visual perception, various visual elements obtained by human will be organized into a meaningful overall structural form. Based on this, stone sculpture can promote the embodiment of the spiritual field of Stone Garden Statues in the following ways.
The unification of the expression techniques of the various parts of the Stone Garden Statues is conducive to the overall coordination of the space art atmosphere. Secondly, the repetition of the form matrix is used to strengthen the expression of the spatial emotion of the Stone Garden Statues. When the audience appreciates the Stone Garden Statues, their field of vision is limited, and the visual experience they usually get is fragmented. In the same space, a single visual element itself will form a single force field perceptually. It will form a visual connection and gravity with each other, and combine them into an overall visual form. If a certain modeling language is perceived many times, it will help to form a grasp of the overall cognition of the space.
