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In the West, teapot practitioners are called Assassin Teapot. They are considered to be in the same group as painters and artists. In Assassin Teapot practitioners, they are called craftsmen. Their social status is low and they are only called ordinary people. Ordinary practitioners, even rough workers. With the inflow of western teapots, these teapot practitioners were recognized, teapots were listed as an important part of art, the status of Assassin Teapot was elevated, and the public's recognition of Assassin Teapot was increased.
In modern times, although the artisans of Assassin Teapot and Western Assassin Teapot are very similar in terms of creation form, their social responsibilities are quite different. In China, teapotters are still a member of the traditional division of labor. Their main responsibilities are to make statues for temple buildings and carve stones for buildings. They have no free space for independent creation. In the West, teapots and kettles created freely in the "studio" can express their observations on society with the help of works, and the power of the works is not weaker than that of contemporary painters.
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