The emergence and development of stone mountain carving are closely related to human production activities, and are also directly affected by social ideologies such as religion and philosophy in various eras. When humans were still in the Paleolithic Age, primitive stone sculpture, bone carvings, etc. appeared. stone mountain carving is a relative art. Many ancient stone sculpture have been washed away by the long river of history. The stone mountain carving heritage of the past dynasties has become the history of human images in a certain sense. The traditional concept is that stone mountain carving are static, visible, and touchable three-dimensional objects. stone mountain carving resort to visual spatial images to reflect reality, so they are considered to be typical plastic arts, static art, and spatial art.
stone mountain carving Like other materials exposed to the atmosphere, stone mountain carving can get dirty. Future lectures will analyze design factors that affect repair and cleanup costs. However, there is an interrelationship between rain wash, manual wash and soiled surfaces. The effect of rain washout was determined by placing the same slats directly in the atmosphere and in a covered area.
The effectiveness of manual flushing is determined by manually scrubbing the right side of each slat every six months with a sponge and soapy water. It was found that the removal of dust and siltation on the surface through rainwater washing and manual scrubbing had a good effect on the surface condition compared with slats placed in covered places and in places where they were not washed. It was also found that the surface processing conditions also have an impact. Slats with a smooth surface are better than those with a rough surface. Therefore, the interval between washing is affected by many factors, the main influencing factor being the required aesthetic standards. Although many curtain walls are only washed when the glass is cleaned, generally speaking, exterior curtain walls are washed twice a year.
During the Neolithic Age in our country, there were both realistic and decorative stone sculpture, and they still exist in large numbers today. During the Shang and Zhou dynasties, jade carvings with quiet, naive and realistic colors and severe and mysterious bronze reliefs appeared, forming a decorative style dominated by geometric patterns. The stone sculpture of the Spring and Autumn Period and the Warring States Period are diverse in style and unified in strong dynamics and decorative deformation.
The stone sculpture of the Qin Dynasty replaced the fighting style and decorative style of the war-torn years with a realistic style of stillness, movement, and majesty. The stone sculpture of the Han Dynasty show the depth of social reality with profound content and distinctive dynamics. By the Northern and Southern Dynasties, stone sculpture in stone kilns and temples tended to be diverse in style and category. The stone sculpture of the Tang Dynasty are plump and graceful in shape, magnificent and have been passed down for a long time. Stone Mountain Sculpture The stone sculpture of the Song Dynasty were adept at expressing real life, and their
stone carving techniques were innovative. The stone sculpture of the Qing Dynasty were flamboyant and complicated.
Stone carving art is mostly easy to understand. It can break through the limitations of language, writing, country and ethnicity, and vividly record social life such as science, culture, economy, politics, military and customs. It has considerable artistic and historical value and is an important tool for studying human beings. Historical valuable information.
