The landscape boulders affect the audience through the spatial mood created by their own shapes. As the saying goes: "When you get close to vermilion, you get red; when you get close to ink, you get black." This shows that people are easily influenced by the space environment. As a three-dimensional plastic art, the landscape boulders expresses the spirit of art with its shape. Excellent landscape boulders can spread the artistic appeal to the occupied space environment through the undulating and changing shape, and can form a powerful aura. Let's call this kind of aura the spiritual field of the landscape boulders. The information it conveys not only brings aesthetic experience to the audience, but also resonates deep in the soul and produces educational significance. This highlights the importance of the creation of landscape monoliths, and provides a direction for further research on the methods of landscape monolith creation, that is, how landscape monoliths can communicate more effectively with the audience through the grasp of spatial emotions to obtain more spiritual experience.
At the end of the nineteenth century and the beginning of the twentieth century, modern art was in full swing, traditional artistic concepts were negated by modern art, and new materials, new techniques, and new concepts emerged in an endless stream. Under such development, landscape boulders were born, which turned metal into a An independent material, completely different from the traditional
stone sculpture modeling language.
The manifestations of landscape boulders are generally divided into two types: stainless steel round stone carvings and stainless steel relief stone carvings.
The so-called stainless steel round stone carvings refer to non-compressed three-dimensional stone carvings that can be appreciated from multiple directions and angles. There are also various techniques and forms, including realistic and decorative, concrete and abstract, indoor and outdoor, etc. The content and themes of
stone carving are also rich and colorful, including figures, animals, and still life.
Stainless steel relief stone carving is the product of the combination of stone carving and painting. Compression is used to process objects, and three-dimensional space is expressed by factors such as perspective, and it is only for one or two sides to watch. Reliefs are generally attached to another plane, so they are used more in architecture than round stone carvings. Due to its compressed characteristics, it occupies less space, so it is suitable for decoration in many environments. In recent years, the proportion of stainless steel relief stone carvings in the stone carving industry is increasing, and the content and form are more colorful.
The repetition of the form matrix is used to strengthen the expression of the spatial emotion of the landscape boulders. When the audience appreciates the landscape boulders, their field of vision is limited, and the visual experience they usually get is fragmented. In the same space, a single visual element itself will form a single force field perceptually, and the interaction between multiple visual elements It will form a visual connection and gravity with each other, and combine into an overall visual form. If a certain modeling language is perceived many times, it will help to form a grasp of the overall cognition of the space.
