Innovation and Development of Space Expression Language in Stone Garden Decor

First, the integration of stone carving and painting is introduced. Stone carving achieves its expressive effect through shape, light and shadow, while painting expresses through color and lines. Although there are differences between the two, the form of expression is basically the same. The two share some of the same constituent elements, such as composition, perspective, decoration, and realism. The stone sculpture here is somewhat similar to painting, because both are created on a plane, and both compress various three-dimensional shapes and scene.

deformation perspectives into the plane. Stone carving not only expresses the aesthetic effect, puts it into vision, but also involves the sense of touch to show a certain sense of space. At the same time, it also makes good use of the advantages of painting in composition, subject matter and space processing, showing the uniqueness that round sculptures cannot. The content and objects of performance. The engraving and shaping of stone carving on the plane enables it to integrate the modeling advantages of sculpture and painting, maintain the diversity and diversification of techniques, take into account the physical characteristics of sculpture, and strengthen the narrative characteristics of painting.

And what I want to take into account is to give full play to the sense of space of stone carving and the sense of decoration of painting, so as to make the false three-dimensional, which has higher requirements for perspective and composition factors, more visual impact and artistic appeal. Instead of just combining the two as mentioned above, I want to further explore how to combine the two to give full play to their advantages. The current Stone Garden Decor just mentioned in the background is just a commercial accessory and does not have long-term artistry. Therefore, it is necessary to strengthen the combination of stone carving techniques and decorative language. The significance lies in the development of today's stone carving profession. Because there are few professional books on stone carving, I want to develop more innovative ways of decorative stone carving. I mainly start from two parts: stone carving space and decoration materials.
According to the different combination of stone carving space interface, its application can be roughly classified as: interior decoration interface; architectural decoration interface; monumental structure decoration interface; functional wall display surface. While pursuing the overall harmony of the space environment, stone carving design must seek to create diversity in the environment and space beautification, and expand the spiritual appeal of shaping the language. We must pay attention to the visual and psychological effects produced by the size, material, and texture of the stone sculpture at the same time. When using the language of stone sculpture on the space interface, it reflects the role of the environment and space. It is the viewer who enters the spiritual world shaped by the work from the form. So when I was innovating, I lengthened the space and made the stone carving effect on the plane, but it was not the traditional stone carving technique. It was to enlarge and strengthen the compressed part of the stone carving, and to make the effect of the objects that I wanted to highlight, but not all of them. , but only the emphasized part of the object, for example, to make a person's head, as long as the part of the head is highlighted, then I only make three-quarters of the head that is closest to the audience, and the rest is expressed by painting techniques, so It saves a lot of extra language.
If the decorative language of Stone Garden Decor is used well, it will show high artistic value. Stone Garden Decor has both its plane language and its space language. The characteristics of multi-level and multi-angle determine the Stone Garden Decor. Compared with ordinary decorative paintings and decorative utensils, the decorative methods used are more colorful. So I like this form of decoration very much, and I want to promote this art form more, so that more tasteful families can accept such innovative artwork. At the same time, its development direction lies in the innovation of expression techniques, so that more people can accept it and understand the needs of people today.